For his exhibition at Mexico City's MUAC, Ai Weiwei (born 1957) addressed two national traumas: the destruction of cultural heritage during China's Communist Revolution and the murder of 43 students in Mexico. These are represented respectively by a...

This evolution is articulated in four complementary blocks: the man, the city, the collapse of the straight line, and the return to nature. The man, uniformed in dark suits, possesses the creative power but remains subject to the very surroundings he...

B by Alejandro Marote is the second, evolving stage in the study of the plastic transformation of matter. After abandoning the city (A), the author moves now toward the place where two fundamental coastal-planes the vertical one of the palm trees and...

In May 1968, while French young people were taking to the streets, three Latin American artists were exhibiting at the Musee d'Art Moderne de la Ville de Paris: Wifredo Lam, Roberto Matta, and a woman, the sculptor Alicia Penalba. Born in Argentina,...

For Artemio Rodri guez, the art of printmaking is an everyday activity in which form and idea, personal experience and historical concept harmoni- ously participate. His work bespeaks the mestizo artist who fuses the American indigenous spirit with E...