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ISBN: HB: 9783037345221

University of Chicago Press, Diaphanes

March 2016

528 pp.

24.1x16.1 cm

30 colour plates, 85 halftones

HB:
£49,00
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Vision in Motion

Streams of Sensation and Configurations of Time

Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of "seeing" even as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cezanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time.

Bringing together a renowned international group of contributors, "Vision in Motion" explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of "vision in motion" that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.

About the Author

Michael F. Zimmerman is an art historian and chair of the Department of Art History at the Catholic University Eichstنtt-Inglstadt, Germany. He is the author or editor of several books, including "The Art Historian: National Traditions and Institutional Practices" and "Seurat and the Art Theory of His Time Seurat" and the "Art Theory of His Time".