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ISBN: HB: 9781857099133

Yale University Press, National Gallery London

May 2008

544 pp.

28.6x21.6 cm

20 black&white illus., 235 colour illus.

HB:
£75,00
QTY:

Categories:

Sixteenth-Century Italian Paintings

Volume II: Venice 1540-1600

This substantial and beautifully illustrated volume documents the National Gallery's unrivaled collection of Venetian paintings created between 1540 and 1600, including some of the greatest works commissioned by the city from Veronese, Titian, Tintoretto, and the Bassano family. The collection is so rich and varied that the book serves as an introduction to all the major types of painting produced in Venice during this period––the altarpiece, portrait, confraternity chapel decoration, ceiling and furniture painting, and paintings for the portego (long central hall) of a palace. Among the many important works included are Titian's "Vendramin Family Venerating a Relic of the True Cross", Veronese's "Family of Darius" and four "Allegories", and Tintoretto's "Origin of the Milky Way". Nicholas Penny provides comprehensive and detailed information reflecting the most up-to-date scholarship on the paintings––many of which have passed through some of the greatest collections in Europe––along with a thorough discussion of their provenance.

About the Author

Nicholas Penny is Director of the National Gallery, London. He was previously Senior Curator of Sculpture and Decorative Arts at the National Gallery of Art, Washington. He has published widely on painting and sculpture, including "Giotto to Durer" (Yale 1991); "The Catalogue of European Sculpture in the Ashmolean Museum" (1992); "The Materials of Sculpture" (Yale 1993) and the "National Gallery Catalogues of Sixteenth-Century Italian Paintings", vols I (2004) and II (2008).