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ISBN: HB: 9781857099089

Yale University Press, National Gallery London

November 2004

448 pp.

28.6x21.6 cm

225 colour images, 75 black&white illus.

HB:
£75,00
QTY:

Categories:

Sixteenth-Century Italian Paintings

Volume I

This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza.

For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.

About the Author

Nicholas Penny is Director of the National Gallery, London. He was previously Senior Curator of Sculpture and Decorative Arts at the National Gallery of Art, Washington. He has published widely on painting and sculpture, including "Giotto to Durer" (Yale 1991); "The Catalogue of European Sculpture in the Ashmolean Museum" (1992); "The Materials of Sculpture" (Yale 1993) and the "National Gallery Catalogues of Sixteenth-Century Italian Paintings", vols I (2004) and II (2008).