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ISBN: PB: 9781849042239

Hurst Publishers

October 2012

276 pp.

21.6x13.8 cm

PB:
£14,99
QTY:

Categories:

Critical Muslim, Volume 04

Pakistan?

For sale in CIS only!

Ziauddin Sardar questions the question mark that is always placed in front of Pakistan, Robin Yassin-Kassab asks why Pakistan has not imploded, Taimur Khan breaks bread with the gangsters and bookies of Karachi, Muhammad Idrees Ahmad revisits Peshawar, Mahvish Ahmad tracks down the separatist in Quetta, Ehsan Masood watches Pakistani television, Merryl Wyn Davies deconstructs 'imaginariums' of Pakistan, Aamer Hussein discusses Pakistani modern classic fiction, Bina Shah asks if there is boom in Pakistani literature, Bilal Tanweer listens to 'Coke Studio', Muneeza Shamsie discovers the literary secrets of her family, Taymiya R. Zaman overcomes her fear of talking about Pakistan, Ali Maraj assesses Imran Khan, Shazia Mirza tells rude jokes in Lahore, and a fake novel by Ibn-e-Safi is spotted in Bahwalnagar.

Plus a new translation of an old short story by A R Khatoon, a new story by Yasir Shah, poems by Ghalib, John Siddique and Zehra Nigah, Atia Jilani's Quranic art, photographs by Ayesha Malik, and 'Ten Things We Love About Pakistan'.

About the Author

Ziauddin Sardar is a renowned writer, broadcaster and cultural critic. A former columnist on the New Statesman, he has also served as a Commissioner on the Equality and Human Rights Commission. He is the editor of Futures and Visiting Professor, School of Arts, The City University, London. He is the author of many books, the most recent being "Desperately Seeking Paradise: Journeys of a Sceptical Muslim" (Granta); "What Do Muslims Believe?" (Granta); and "Balti Britain: A Provocative Journey Through Asian Britain" (Granta).

Robin Yassin-Kassab, co-editor of "Critical Muslim", is the author of the acclaimed novel, "The Road From Damascus" (Penguin). Born in west London, he has lived and worked in France, Pakistan, Turkey, Syria, Morocco, Saudi Arabia and Oman. He is a regular contributor to the literary pages of "The Guardian" and "The Independent".