In Moya Cannon's new collection, "Hands", the commonplace is transfigured by an attentiveness that jolts us into wonder.
The poems sing of deep connections: the impulse to ritual and pattern that, across centuries, defines us as human; a web of interdependences that sustain the "gratuitous beauty" of the planet. "Hands" travels in time and space, mapping journeys we make as ageing, illness, and the deaths of parents shift our responses to our place in the fabric of the world, where we live in the grace of love and sunlight.
About the Author
Moya Cannon was born in Dunfanaghy, County Donegal in 1956 and now lives in Galway. She studied history and politics at University College, Dublin and international relations at Corpus Christi College, Cambridge. Her first collection, "Oar", won the inaugural Brendan Behan Award and, in 2001, she was the recipient of the Laurence O Shaughnessy Award (University of St. Thomas, Minnesota). A number of her poems have been set to music by Jane O Leary, Philip Martin and Ellen Cranitch, and she has worked with traditional Irish musicians, amongst them Kathleen Loughnane and Maighread and Triona Ni Dhomhnaill, both in the context of performance and of translating Gaelic songs. Moya Cannon has edited "Poetry Ireland Review" and, in 2004, was elected to Aosdana, the Irish affiliation of creative artists. In 2011 she was the holder of the Heimbold Chair of Irish Studies at Villanova University, PA.
Reviews
"In this new collection, Moya Cannon, through intent attention to light and sound and the natural materials that produce them, touches the very principle of life itself. Hands is a profoundly moving set of meditations on what it means to be alive, physically and emotionally" – Bernard O'Donoghue