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ISBN: PB: 9780300203790

Yale University Press

May 2014

200 pp.

27.9x22.9 cm

184 colour illus.

PB:
£30,00
QTY:

Categories:

Marisol

Sculptures and Works on Paper, 1955-1998

The Paris-born, Venezuelan artist Marisol (b.1930) burst on to the 1960s New York art scene with large figural sculptures in a wild amalgam of mixed-media. Often satirical, Marisol's art is inspired by sources as diverse as Pre-Columbian art, folk art, Cubism and Surrealism. For the past several decades, however, Marisol has shunned the spotlight and her artwork has been overlooked as a result. Accompanied by the first retrospective of her work in more than a decade, this long-awaited and beautifully illustrated volume offers a much-needed corrective, reestablishing her role as a major figure in postwar American art. Essays by some of the leading scholars of Latin American and 20th-century art explore all facets of her work including influences, the theme of family, American politics and pop culture, Native American rights and poverty, her role as a female artist, and her relationship to Latin America and Latin American art

About the Author

Marina Pacini is chief curator of American, modern and contemporary art at the Memphis Brooks Museum of Art, Memphis, TN.

Bill Anthes is associate professor of art history at Pitzer College, Claremont, CA.

Dore Ashton is professor of art history at the Cooper Union, New York, and senior critic at the Yale School of Art.

Deborah Cullen is director and chief curator of the Miriam and Ira D. Wallach Art Gallery at Columbia University, New York.

Douglas Dreishpoon is chief curator at the Albright-Knox Art Gallery, Buffalo, New York.