art, academic and non-fiction books
publishers’ Eastern and Central European representation

Name your list

Log in / Sign in

ta strona jest nieczynna, ale zapraszamy serdecznie na stronę www.obibook.com /// this website is closed but we cordially invite you to visit www.obibook.com

ISBN: HB: 9780226899558

University of Chicago Press

September 2013

432 pp.

22.8x15.2 cm

4 colour plates, 11 halftones

HB:
£22,50
QTY:

Categories:

Triumph of Human Empire

Verne, Morris, and Stevenson at the End of the World

In the early 1600s, in a haunting tale titled New Atlantis, Sir Francis Bacon imagined the discovery of an uncharted island. This island was home to the descendants of the lost realm of Atlantis, who had organized themselves to seek "the knowledge of Causes, and secret motions of things; and the enlarging of the bounds of Human Empire, to the effecting of all things possible". Bacon's make-believe island was not an empire in the usual sense, marked by territorial control; instead, it was the center of a vast general expansion of human knowledge and power.

Rosalind Williams uses Bacon's island as a jumping-off point to explore the overarching historical event of our time: the rise and triumph of human empire, the apotheosis of the modern ambition to increase knowledge and power in order to achieve world domination. Confronting an intensely humanized world was a singular event of consciousness, which Williams explores through the lives and works of three writers of the late nineteenth century: Jules Verne, William Morris, and Robert Louis Stevenson. As the century drew to a close, these writers were unhappy with the direction in which their world seemed to be headed and worried that organized humanity would use knowledge and power for unworthy ends. In response, Williams shows, each engaged in a lifelong quest to make a home in the midst of human empire, to transcend it, and most of all to understand it. They accomplished this first by taking to the water: in life and in art, the transition from land to water offered them release from the condition of human domination. At the same time, each writer transformed his world by exploring the literary boundary between realism and romance. Williams shows how Verne, Morris, and Stevenson experimented with romance and fantasy and how these traditions allowed them to express their growing awareness of the need for a new relationship between humans and Earth.

"The Triumph of Human Empire" shows that for these writers and their readers romance was an exceptionally powerful way of grappling with the political, technical, and environmental situations of modernity. As environmental consciousness rises in our time, along with evidence that our seeming control over nature is pathological and unpredictable, Williams's history is one that speaks very much to the present.

About the Author

Rosalind Williams is the Bern Dibner Professor of the History of Science and Technology at the Massachusetts Institute of Technology. She is past president of the Society for the History of Technology and the author of several books, most recently, "Retooling: A Historian Confronts Technological Change".

Reviews

"Williams's perceptive readings, fluent writing, immense erudition, and engaging voice make her book an irresistible, endlessly instructive pleasure" – Felipe Fernandez-Armesto, Times Literary Supplement

"One of the most fascinating books I've read this year, deftly drawing together the themes of utopian ambition, technological change, and a visionary sense of escape" – Philip Hoare, Telegraph

"Engaging, highly informative, and entertaining, 'The Triumph of Human Empire' addresses issues of crucial current importance – the impact of humans on the environment; the dangerous pace of late modernity; the political and psychological consequences of globalization, high-speed communications, and industrial capitalism – through lively and colorful biographies of important literary figures, presented here from a novel perspective. Rosalind Williams follows the advice of the authors she discusses – of finding the right balance between factual detail, narrative drive, and human interest – yet presents a strikingly original and timely synthesis of literary history, history of technology, and environmental history" – John Tresch, author of "The Romantic Machine"

"As in her previous work, Rosalind Williams uses literature to explore the monumental shifts in human understanding of our place in nature – in this case, the realization in the late nineteenth century that human beings had physically occupied the planet and would now be re-engineering it according to their own thoughts and desires. Her writing is deeply thoughtful, particular, and well researched, and it is relevant for the troubling scientific and technological challenges of today" – Alan Lightman, author of "Einstein's Dreams"