This publication documents extensively Miralda projects in the United States between the early seventies and late nineties. The book, designed by Salvador Saura from Edicions de l'Eixample, includes a wide selection of documents and photographic mate...

It is evident that modernity is a popular mountain for analyses and reflection of a largely controversial nature. Numerous theories have also been written about the beginning as well as the end of modernity. The aim of the Modernologies exhibition is...

This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; th...

Nancy Spero (born in Cleveland, Ohio, 1926) is a pioneer of feminist art and a key figure in the New York protest scene of the 1960s and 70s, as highly regarded as famed artists Martha Rosler and Adrian Piper. With a career spanning over 50 years, Sp...

French historian, Serge Guilbaut, explores the aesthetic quarrels between Paris and New York of the 40s and 50s, analysing the art that became cultural and commercial icons, with works by Picasso, de Kooning, Dubuffet, Gorky, Kandinsky, Matisse, Newm...

The work of Gego (Gertrud Goldschmidt, 1912-1994) relatively unknown outside of Latin America is an extraordinary example of the decisive changes that influenced modern culture after WWII. Born in Hamburg, she studied Architecture and engineering and...

In 1970, Marcel Broodthaers claimed that Mallarma is the source of all contemporary art. Those words serve as a departure point for the exhibition and catalogue, Art and Utopia. Based on Marcel Broodthaers's interpretation of and Mallarma's influence...