art, academic and non-fiction books
publishers’ Eastern and Central European representation

Name your list

Log in / Sign in

ta strona jest nieczynna, ale zapraszamy serdecznie na stronę www.obibook.com /// this website is closed but we cordially invite you to visit www.obibook.com

ISBN: HB: 9788024631271

University of Chicago Press, Karolinum Press

April 2016

150 pp.

19x13.9 cm

25 colour plates

HB:
£19,00
QTY:

Categories:

Midway on Our Life's Journey

Not for sale in the Czech Republic and the Slovak Republic!


Written between 1954 and 1957 and treating events from the Stalinist era of Czechoslovakia's postwar Communist regime, "Midway on Our Life's Journey" flew in the face of the reigning aesthetic of socialist realism, an anti-heroic novel informed by the literary theory of Viktor Shklovsky and constructed from episodes and lyrical sketches of the author and his neighbors' everyday life in industrial north Bohemia, set against a backdrop of historical and cultural upheaval. Meditative and speculative reflections here alternate and overlap with fragmentary accounts of Jedlicka's own biography and slices of the lives of people around him, typically rendered as overheard conversations. The narrative passages range in chronology from May 1945 to the early 1950s, with sporadic leaps through time as the characters go about the business of "building a new society" and the mythology that goes with it. Due to its critical view of socialist society, "Midway" remained unpublished until 1966, amid the easing of cultural control, but a complete version of this darkly comic novel did not appear in Czech until 1994.

About the Author

Josef Jedlicka (1927-1990) was a Czech novelist and essayist. Alex Zucker is a translator of Czech literature whose translation of Jachym Topol's "The Devil's Workshop" received the English PEN Award for Writing in Translation.

Reviews

"Bitterly parodies the techniques of 'literature of fact' in an attempt to show how the avant-garde's utopian dreams of a new art for a new society were realized, paradigmatically in the northern Bohemian borderlands, in dystopian art for a dystopian society and landscape" – Rajendra Chitnis, University of Bristol