art, academic and non-fiction books
publishers’ Eastern and Central European representation

Name your list

Log in / Sign in

ta strona jest nieczynna, ale zapraszamy serdecznie na stronę www.obibook.com /// this website is closed but we cordially invite you to visit www.obibook.com

ISBN: PB: 9783037345245

University of Chicago Press, Diaphanes

June 2015

288 pp.

20.9x13.3 cm

30 halftones

PB:
£22,50
QTY:

Categories:

Disabled Theater

Celebrated as an outstanding conceptual dance piece on the one hand and harshly criticized for being a contemporary freak show on the other, "Disabled Theater" by Jerome Bel and Theater Hora polarizes the public. In either case, the production raises central questions on the role of people with cognitive differences in our society, as well as on basic norms and conventions of theater and dance. Can the stage serve as a place of emancipation for people with disabilities? To what extent are performers with disabilities able to challenge and subvert the regulations of neoliberal societies, above all their principle of proficiency? Do we need new categories of aesthetic judgment? The book takes "Disabled Theater" as a springboard to a broader discussion on theater and disability at the intersections of politics and aesthetics, inclusion and exclusion, virtuosity and dilettantism, identity and empowerment. The book includes contributions by Jerome Bel, Kai van Eikels, Kati Kroك, Andre Lepecki, Lars Nowak, Yvonne Rainer, Gerald Siegmund, Yvonne Schmidt, Sandra Umathum, Scott Wallin, Benjamin Wihstutz, and the actors of Theater Hora.

About the Author

Sandra Umathum is professor of theater and performance studies and dramaturgy at the Ernst Busch Academy of Dramatic Arts, Berlin.

Benjamin Wihstutz teaches at the Freie Universitنt Berlin, where he is also a research associate of the Collaborative Research Centre project, "Aesthetic Experience and the Dissolution of Artistic Limits".