Art today is often practiced in perfect conformity with the neoliberal zeitgeist, often even denying its own radical potential".What is Contemporary Art?" lucidly examines the relationship between art and politics in our time. Addressing the heart of...

What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art...

Staging an exhibition as choreography, as drama, as opera, as a place where reality, politics, aesthetics, art, film, and music can address the issues of our day through documentaries, dialogues, science, activism, and creativity: This is the dream,...

In the wake of rapid globalization, many enthusiastically declared cosmopolitanism to be no longer just a philosophical ideal, but a real, existing fact. Across the world, they argued, people were increasingly considering themselves global citizens....

Eadweard Muybridge is among the seminal originators of the contemporary world's visual form. Projectionists examines mostly unknown aspects of Muybridge's work: his period as a touring projectionist who enthralled audiences with unprecedented moving-...

For their 2019 Venice Biennale pavilion, Catalonia presented an exhibition exploring the life of public statues and reflecting on the capacity of artworks to possess agency. The project considers the often-intense relationship that forms between huma...

Since its beginnings in the 1990s, artistic research has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to ex...

Theodor Adorno's famous aesthetic theory was not merely a theory of the aesthetic; it also made a wider claim about the aesthetic implications of all theory. At the same time we have to deal with aesthetic objects and events in which an aesthetic the...

Tokyo during the 1960s was in a state of uproar, full of protests, riots, and insurrection. Tatsumi Hijikata – the initiator of the "Butoh" performance art and the seminal figure in Japan's experimental arts culture of the 1960s – created his most fa...

Resonating at the heart of "Neolithic Childhood: Art in a False Present, c. 1930" is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art's social and...