Scotland's great maverick poet, Glasgow-born Frank Kuppner produces a tenth collection of poems that bring bring Glasgow to China and willow-pattern to the rougher parts of Glasgow.

Comic, cosmic: for Kuppner the terms are inseparable. In the three plaited sections of "The Same Life Twice", Frank Kuppner asks the essential, answerless questions about human existence: What are we doing here? Is it really here? And why here? "Fort...

Surely none of us can have been left quite unaffected by the recent startling and unfortunate disaster of the disappearance of the "Great Poetic Anthology" into the electronic cracks between the major academic institutions which were preparing it – s...

Frank Kuppner's seventh Carcanet collection, consisting of three books in one, asks the big questions: What is reality a commentary on? Why does non-existence have such a huge opinion of itself? Why don't the eternal silences of space shut up and giv...

The bewildering range of the Scottish writer Frank Kuppner's work, as evidenced in the ten books he published in the last century, is such that many people did not know where to start. Here, for them, is the obvious place to do so, at least where his...

The 501 quatrains of "Second Best Moments in Chinese History" make it seem at first like a repackaged version of Frank Kuppner's celebrated first collection "A Bad Day for the Sung Dynasty" (1984). But it isn't: "Please note that this is a completely...

Everything is always strange in the poetry of Frank Kuppner. His first Carcanet book was a single poem, "A Bad Day for the Sung Dynasty" (1984, Scottish Arts Council Book Award), running to 511 Oriental Quatrains, a kind of Procrustean Bed of Ware ac...