Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these ma...

Rosalind Nashashibi (b. 1973) is a London-based artist working mainly working in 16mm film, painting and prints. Her films convey inner experiences of moments and events, often considering the politics of relations in the community and extended famil...

In 1930, the Philadelphia Museum of Art acquired the collection of medieval and Renaissance sculpture and decorative arts assembled by Edmond Foulc (1828-1916). Foulc's beautiful Paris residence was an important gathering place for like-minded art en...

Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembra...

Arguably the greatest artist of the Baroque period, Peter Paul Rubens was an accomplished painter and draftsman, as well as a valued diplomat. This accessible examination of his life and work looks at every aspect of Rubens's oeuvre; from his commiss...

Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporar...

The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorativ...

With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function...

Best known as part of the influential vanguard of Impressionist artists that experimented with new painting techniques in the late 19th century, Pierre-Auguste Renoir (1841-1919) was deeply inspired by classical traditions and returned again and agai...

Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more...