Not for sale in Estonia! Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists' books as a twentieth-century art form. By situating artists' books within the context of mainstream developme...

Not for sale in Estonia! Salvador Dali's writings from the period in which he was most closely allied with the Surrealists have never before been translated into English. These short fictions, essays and poems contain all the egotistic brio one mig...

The simple question "What is minimalism?" has defied simple answers. Artists known as minimalists have distinctively different methods and points of view. This highly readable history of minimalist art shows how artists as diverse as Carl Andre, Dona...

Ellsworth Kelly is one of this generation's most important artists. Over the course of his career, Kelly has developed a special relationship with the city of Dallas and its art community, and major holdings of his work in all media can be found ther...

"Varieties of Modernism" discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period. With the rise of the European dictatorsh...

Silvia Bنchli (1956) has become one of the most successful Swiss artists of her generation. This publication was developed with the artist, and is the first comprehensive survey of her output. Silvia Bنchli's art makes us feel unsure of ourselves. It...

Not for sale in Estonia! Within Warhol's "Death and Disaster" series, the so-called "Car Crashes" comprise the most numerous and diverse set of images. As Gerard Malanga writes in his accompanying essay, "We would return to this silkscreen again an...

We "take to our beds" to be born and to grow, to hide and to dream, to lie alone and cling together, to come of age and make love, to create and procreate, to ail and to heal, to rest and to die. Key rites of human passage occur underneath the swathe...

How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelso...