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ISBN: PB: 9780226565842

University of Chicago Press

February 2018

264 pp.

22.8x15.2 cm

24 halftones, 4 line drawings, 2 tables

PB:
£19,00
QTY:

Image Science

Iconology, Visual Culture, and Media Aesthetics

Almost thirty years ago, W. J. T. Mitchell's "Iconology" helped launch the interdisciplinary study of visual media, now a central feature of the modern humanities. Along with his subsequent "Picture Theory" and "What Do Pictures Want?", Mitchell's now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key concepts imply an approach to images as true objects of investigation – an "image science". Continuing with this influential line of thought, Image Science gathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings. The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena. Essential for those involved with any aspect of visual media, "Image Science" is a brilliant call for a method of studying images that overcomes the "two-culture split" between the natural and human sciences.

About the Author

W. J. T. Mitchell is the Gaylord Donnelley Distinguished Service Professor in the Department of English Language and Literature, the Department of Art History, and the College at the University of Chicago. He is the author, most recently, of "Cloning Terror: The War of Images, 9/11 to the Present", published by the University of Chicago Press. He is also co-editor of the journal "Critical Inquiry".

Reviews

"'Image Science' adds another chapter to Mitchell's long and illustrious intervention in the disciplines of art history and visual studies. Mitchell argues persuasively for a science of the visual that straddles the humanities and the social and natural sciences, one that addresses not only objects but also their perception and role in human experience. This is an exciting and theoretically challenging collection" – Keith Moxey, Barnard College, Columbia University

"'Image Science' is fascinating and a wonderful account of a leading scholar's rich research. As always, Mitchell's writing is erudite, engaging, and challenging; his thinking mindful and provocative in equal measure; his arguments dazzling; his insights startling" – Marquard Smith, Kingston University, London

"Ranging widely across the new visual realities of science, art, cinema, and digital media, these essays are conceptually precise, politically engaged, and deeply reflective. They demonstrate why Mitchell has become America's leading philosopher of the image" – Susan Buck-Morss, Graduate Center of the City University of New York